Provenance research is a work in progress, and is frequently updated with new information. “These colored planes are the structure of the picture, and nature is no longer a subject for description but a pretext.” Indeed, he had decided to abandon “images or reality that come to corrupt the order of color.”The poet Guillaume Apollinaire christened Delaunay’s style Orphism, after Orpheus, the musician of Greek legend whose eloquence on the lyre is a mythic archetype for the power of art. In Simultaneous Contrasts that movement is the rhythm of the cosmos, for the painting's circular frame is a sign for the universe, and its flux of reds and oranges, greens and blues, is attuned to the sun and the moon, the rotation of day and night. Bring your artworks and prints to life with our superior quality products. If you would like to reproduce text from a MoMA publication or moma.org, please email [email protected]. The poet Guillaume Apollinaire christened Delaunay's style "Orphism," after Orpheus, the musician of Greek legend whose eloquence on the lyre is a mythic archetype for the power of art. In 2018–19, MoMA collaborated with Google Arts & Culture Lab on a project using machine learning to identify artworks in installation photos. Delaunay was fascinated by how the interaction of colors produces sensations of depth and movement, without reference to the natural world. Please. This work is included in the Provenance Research Project, which investigates the ownership history of works in MoMA's collection. But the star and planet, refracted by light, go undescribed in any literal way. Young Girl Asleep; For access to motion picture film stills please contact the Film Study Center. It was created by Robert Delaunay in 1912. Robert Delaunay, Simultaneous Contrasts: Sun and Moon Russian avant-garde Russian Neo-Primitivism: Natalia Goncharova and Mikhail Larionov Kazmir Malevich, Suprematist Composition: White on White Kasimir Malevich and Cubo-Futurism Suprematism, Part I: Kasimir Malevich Suprematism, Part II: El Lissitzky Constructivism, Part I Constructivism, Part II In fact, he derived the phrase "Simultaneous Contrasts" from the treatise On the Law of the Simultaneous Contrast of Colors, published in 1839 by Michel-Eugène Chevreul. Absorbing Chevreul's scientific analyses, Delaunay has here gone beyond them into a mystical belief in color, its fusion into unity symbolizing the possibility for harmony in the chaos of the modern world. We use our own and third-party cookies to personalize your experience and the promotions you see. Motion picture film stills or motion picture footage from films in MoMA’s Film Collection cannot be licensed by MoMA/Scala. Simultaneous Contrasts: Sun and Moon is an artwork on USEUM. To find out more, including which third-party cookies we place and how to manage cookies, see our privacy policy. But the star and planet, refracted by … Buy Delaunay Prints Now from Amazon. In Simultaneous Contrasts that movement is the rhythm of the cosmos, for the painting’s circular frame is a sign for the universe, and its flux of reds and oranges, greens and blues, is attuned to the sun and the moon, the rotation of day and night. If you have any questions or information to provide about the listed works, please email [email protected] or write to: Provenance Research Project The Museum of Modern Art 11 West 53 Street New York, NY 10019. In Simultaneous Contrasts that movement is the rhythm of the cosmos, for the painting’s circular frame is a sign for the universe, and its flux of reds and oranges, greens and blues, is attuned to the sun and the moon, the rotation of day and night. All requests to license audio or video footage produced by MoMA should be addressed to Scala Archives at [email protected]. This record is a work in progress. In Simultaneous Contrasts that movement is the rhythm of the cosmos, for the painting's circular frame is a sign for the universe, and its flux of reds and oranges, greens and blues, is attuned to the sun and the moon, the rotation of day and night. By visiting our website or transacting with us, you agree to this. But the star and planet, refracted by light, go undescribed in any literal way. In Simultaneous Contrasts: Sun and Moon, Delaunay depicts the rhythms of the universe, the circular frame representing the universe. Sonia Delaunay-Terk continued the Delaunay name after her husband had passed away and she used a very similar approach which ensured their careers are normally mentioned in the breath. The musicality of Delaunay's work lay in color, which he studied closely. If you would like to publish text from MoMA’s archival materials, please fill out this permission form and send to [email protected]. Paris 1913 (dated on painting 1912). Simultaneous Contrasts: Sun and Moon - Art Print by Sonia Delaunay. List of Famous Sonia Delaunay Paintings. Carefully printed on high quality materials these prints come with equal sized mat that adds a depth perspective (frames) or stretched on a … "These colored planes are the structure of the picture, and nature is no longer a subject for description but a pretext." The musicality of Delaunay’s work lay in color, which he studied closely. That project has concluded, and works are now being identified by MoMA staff. If you notice an error, please contact us at [email protected]. If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations). In fact, he derived the phrase “Simultaneous Contrasts” from the treatise On the Law of the Simultaneous Contrast of Colors, published in 1839 by Michel-Eugène Chevreul. He uses an array of reds,oranges, blues, and greens to show the contrast of the sun and moon and the rotation of day and night. More information is also available about the film collection and the Circulating Film and Video Library. painting by Robert Delaunay (Museum: Museum of Modern Art). “The breaking up of form by light creates colored planes,” Delaunay said. Simultaneous Contrasts: Sun and Moon. Simultaneous Contrasts: Sun and Moon. “Simultaneous Contrasts: Sun and Moon” by Robert Delaunay (1912-1913) [This is a continuation from the previous post].In the eight station, Mercury teaches the soul how to acquire “knowledge” of self and the other(s). By visiting our website or transacting with us, you agree to this. But the star and planet, refracted by … The Sue and Edgar Wachenheim III Gallery, … For licensing motion picture film footage it is advised to apply directly to the copyright holders. Indeed, he had decided to abandon "images or reality that come to corrupt the order of color.". We have identified these works in the following photos from our exhibition history. "The breaking up of form by light creates colored planes," Delaunay said. Delaunay said that, "The breaking up of form by light creates colored planes. Delaunay was fascinated by how the interaction of colors produces sensations of depth and movement, without reference to the natural world. Absorbing Chevreul’s scientific analyses, Delaunay has here gone beyond them into a mystical belief in color, its fusion into unity symbolizing the possibility for harmony in the chaos of the modern world.MoMA, {{$parent.$parent.validationModel['duplicate']}}, Museum of Modern Art (MoMA), New York City, NY, US, 1-{{getCurrentCount()}} out of {{getTotalCount()}}, Man with a Tulip (also known as Portrait of Jean Metzinger), Simultaneous Windows (2nd Motif, 1st Part), Windows Open Simultaneously 1st Part, 3rd Motif.