The album cover contains a photo of Rivera and Ruiz taken by Rivera's father.  Following the final rites led by a priest, the flag of Puerto Rico was placed over his coffin and a final procession took him to Fair Lawn Memorial Cemetery, where his family members from Puerto Rico joined those in New Jersey.  The narrative was heavily focused in the daily life of Latinos, from their hardships to their traditions.  Its organizer, focused the narrative of the festival on an anti-drug message, and noted in a later interview that Ruiz was an example of an unexpected death caused by a life of excess that had impacted him personally.  During this process, he studied the work of his father extensively, but focused on creating his own personal style instead of copying, but he did adopt the pseudonym of El Hijo de la Salsa in his father's honor.  Initially Ruiz was unable to speak and was worried about his career. , In January 1997, Ruiz's health continued to decline as a result of his lifestyle, leading to the development of cirrhosis and hepatitis, which resulted in three hospitalizations that lasted for months and extended throughout August.
Se cumplen 20 años de la partida del ‘Tártaro de la salsa’ y Cristina, la hija mayor de ambos, ha renovado sus votos matrimoniales en la exclusiva Coral Gables en las Islas providenciales, a una hora de Miami.  In Puerto Rico, news of his condition were released by PolyGram. 1 "Ahora le toca a los Leones" 2 ¡1,000 puntos para Cobras!
Afterwards his custody passed to his parents and he was raised at Union City, along his brothers Viti and Juanito.  He became known for his improvisational skills, something that he expressed with creativity and expressiveness through his voice, and which were described as capable of turning mediocre lyrics into a hit song.  Ultimately, this inspired him to follow in his father's footsteps and he began taking singing classes with the approval of Judith Ruiz.  During this period he experienced a decline in health and increasing pain that interrupted some performances and delayed the date scheduled to begin work on his next album.  Ruiz was survived by his children, grandchildren, his two brothers, and his wife.
, His collaboration with Urrutia led to a series of singles including "Hablame", "Amor a medias", "Soy culpable", "Obsesión", "Sueño dormido", "Tiene que saber que es ella", "Soledad", and "Nos sorprendio el amanecer", which would serve as the basis for Ruiz's next album, Puerto Rico Soy Tuyo, released in 1993.  Reporters were not allowed to see him but were updated indirectly. His personal shortcomings were exploited by the tabloid media but had little impact on his popularity.  Despite this, Ruiz was not enrolled in formal singing classes and mostly depended on practice.  This notion was further fueled by the fact that while they were together, Ruiz, Sr. behaved like any other father and did not reflect a grandiose aura. , The singer attempted instead to record the themes using his own style as an homage, naming his production Huellas (meaning "footprints") in reference to the trailblazing done by Ruiz decades earlier. , In 1989, Ruiz was involved in an altercation with a flight attendant for which he was sentenced to three years at a federal prison in Tallahassee, Florida.  The event was highlighted by a parade where his hits, especially "Puerto Rico", were played over the speakers.
 Pedestrians gathered along the road waving flags and, upon entering the municipality, his music was played at an event before thousands of attendees. At least one obituary said he died of cirrhosis of the liver.  A procession to Mayagüez began, with his family following the hearse carrying his body close by, and thousands of cars joining along the way. , On July 17, 1998, he was admitted to University Hospital and required assistance to do basic chores. Más videos de Lo Sé Todo. Desde Bronx, NY…!!! , Ruiz was not particularly motivated by money or wealth, but rather by a sense that it was his destiny to become a singer.
Pete Nater, Edwin Gonzales, Luis F. Columna Trumpets.  Despite being hand-selected, Cruz acknowledged that Ruiz had a unique style and that he had no interest in copying it, or replacing him, or becoming a contemporary version of Ruiz. Esposa de Frankie Ruiz rompe el silencio. Su sobrenombre ha quedado inmortalizado en varios éxitos mundiales de su esposo Frankie Ruiz.  His final appearance took place at the Crystal Nightclub in Miami on April 24, 1998, during which Ruiz made an effort to hide his discomfort. Los más vistos.  Overcome by emotion, he thanked the audience and wished them blessings, before receiving a trophy.
Él aceptó.  However, he was not satisfied with the initial results, realizing that his voice was worsening.  Now possessing a rougher voice, Ruiz began a tour of clubs that continued in the Bronx. As before, he opted to adapt his lifestyle to reflect this change in religious affiliation. ‘Feliz Navidad’, el álbum para el que Héctor Lavoe posó en pañales [GALERÍA], Ismael Rivera: Andrés Calamaro sorprende al cantar ‘El Nazareno’, La vez que La Toya Jackson visitó la tumba de Ismael Rivera, Gilberto: «Antes de Ismael, esta música se cantaba de otra manera».  He recorded the hit singles "Fantasía de un capintero" and "Como lo hacen", which were followed by "Lo Dudo", "Primero Fui Yo", Como Una Estrella", and "Que Se Mueran de Envidia".  During his final days, Ruiz was bedridden and immobilized and began making final arrangements. ¿Qué lo hizo llegar hasta ahí? Its lead single, "Ironía", became another number one song on the Tropical Songs chart and ended the year as the best-performing Tropical/Salsa song.  In 2004, another tribute album Va Por Ti, Frankie was released featuring various artists.
Frankie Ruiz Sus Mejores Éxitos | Frankie Ruiz Mix Salsa RománticaFrankie Ruiz Sus Mejores Éxitos | Frankie Ruiz Mix Salsa Románticahttps://youtu.be/ljXGFhBJ5xg Frankie Ruiz was born in Paterson, New Jersey to Frank Torresola and Hilda Ruiz, a Puerto Rican couple who had moved to the city.  Back in Puerto Rico, it was transported to Mayagüez, where a similar public wake took place. , Aware of the seriousness of his cirrhosis, Ruiz began making arrangements in his personal life. Frankie Ruiz Jr....DIME....El Hijo De La Salsa!!!  The quality of his performances was commonly characterized by an empathy between him and his public, where Ruiz would attempt to entertain a lively audience to the point of exhaustion and anthropomorphized the masses as a single entity, his "Public". , Ruiz eventually grew tired of dietary restrictions and protocols and at the insistence of Salvador, became a born again Christian. , Ruiz's first album as a soloist, Solista pero no Solo, was produced by TH-Rodven Records and directed by Willie Sotello in 1985.  He continued enjoying showmanship, and would dance to the rhythm to provide additional entertainment.  During this timeframe he outsold Sergio Vargas, Gilberto Santa Rosa, Xavier, Juan Luis Guerra, Jerry Rivera, and Rey Ruiz.